Please help to fulfill my dream
Your donation helps me to get 500 copies of the "Innermann" project printed as a book. Please consider a donation. Give thanks to every supporter of the project. You send me hope. Jah Jah light all time.
Black & white reggae pictures
Black and white photography is the purest form of expression to me. No freaky colours, just reducing the photo to the maximum. Photography and Reggae is my perfect personal combination. It is a mental ting. Be convinced of what you do and you will receive your reward one day.
With a little donation you can become a supporter of the project. That helps me to get all the pictures published in a book.
If you think you want to become the sponsor of the project just get in contact with me. Different forms of sponsorships are possible. Any help is appreciated to fulfill my dream. Jah bless.
Most liked photos
Anthony Moses Davis, born August 22, 1973, better known by his stage name Beenie Man, is a Jamaican reggae artist.
Davis was born in the Waterhouse district of Kingston in 1973. He was involved in the music industry from a young age, starting toasting at the age of five, and was encouraged by his uncle Sydney Wolf, who played drums for Jimmy Cliff. He won the Tastee Talent contest in 1981, and Radio DJ Barry G introduced him to local sound system operators, who helped to establish the popularity of the young deejay, who became known as Beenie Man. He recorded his debut single, "Too Fancy", with record producer Henry "Junjo" Lawes in 1981, with Lawes also including him on the 1983 album Junjo Presents Two Big Sounds alongside established stars such as Dillinger, Fathead, and Ringo. His debut album, The Invincible Beenie Man: The Ten Year Old DJ Wonder was produced by Bunny Lee and released in 1983, his first hit single following the same year with the Winston Holness-produced "Over the Sea". In 1984 Beenie Man recorded some material with Barrington Levy (released ten years later), but his music career was put on hold while he finished school, and spent time travelling to the United Kingdom, United States, and Canada.
Beenie Man continued performing and honed his craft beside the then dominant dancehall figures including Ninjaman, Admiral Bailey and Shabba Ranks. He found his artistic home at the Shocking Vibes studio where he continued to record singles with only moderate success in the early 1990s. His career gained momentum after a performance at the Reggae Sunsplash festival in 1992, and a rivalry with Bounty Killer began the following year after Beenie Man's "people dead" catchphrase was appropriated by the other deejay. The rivalry was captured on the 1994 album Guns Out, with the two artists settling the feud with a soundclash. Beenie Man had his first number one single in Jamaica in 1993 with "Matie", and he won the DJ of the Year Award the same year, the first of eight consecutive awards.
Partially as a result of prodding from his producers, Sly and Robbie, with whom he recorded cover versions of Bob Marley's "Crazy Baldheads" and "No Woman No Cry" in 1994, the latter a Jamaican chart-topper, Beenie Man converted to the Rastafari movement, as did several of his contemporaries at the time, although in 2005 he stated "I have not converted. I was baptised an Ethiopian Orthodox and at the age of 10 I became a Judah Coptic." In 1994, he was signed by Island Records and released the critically acclaimed album Blessed, which established his reputation internationally. In 1995 he toured the UK and joined up again with Barrington Levy to record an updated jungle version of Levy's "Under Mi Sensi".
In 1995, Beenie Man collaborated with Dennis Brown and Triston Palmer to release Three Against War and Mad Cobra and Lieutenant Stitchie on Mad Cobra Meets Lt. Stitchie & Beenie Man. He also collaborated with Lady Saw on "Healing", Sanchez on "Refugee", and Michael Prophet on "Gun 'n' Bass", further establishing his reputation. He took another step up the ladder in 1996, releasing the seminal Maestro, produced by Patrick Roberts and shot him to UK fame. During the period from the mid to late 1990s, Beenie Man dominated the Jamaican charts to the extent that he perhaps had a good claim to the crown of "Dancehall King", a title only bestowed previously on Yellowman in the early 1980s. Beenie Man's first real break into the United States came in 1997. He heard an instrumental rhythm by an unknown producer named Jeremy Harding, and demanded to add his voice to the rhythm. So this was the birth of his first international hit; he recorded "Who Am I" and the single quickly went Gold. It opened the doors for the world to see a new reggae star in the pages of Newsweek and other major media outlets. The same year, Beenie Man topped the Jamaican singles chart with seven different singles.
In 1998, Beenie Man headlined Reggae Sunsplash and signed to Virgin Records to release albums in the United States. His first American offering was The Doctor (1998). During the late 1990s, Beenie Man began his conquest of America with the hits, "Romie", "Who Am I", and "Girls Dem Sugar", which featured American R&B singer, Mýa. During this time he received an impressive number of international music awards including a MOBO Award for Best International Reggae Act in 1998, while remaining at the top of the local charts. In 2000, Beenie Man released Art & Life, which featured Arturo Sandoval and Wyclef Jean (The Fugees), for which received a Grammy Award for Best Reggae Album. In the same year he co-produced (with Wyclef Jean) the debut album by actor Steven Seagal. Beenie Man, like many dancehall artists is outspoken on a number of social issues, as exemplified by songs such as "Steve Biko" and "Murderer".
Information taken from wikipedia
One of my favourite tunes